Fitting Room Studio is a comfortable, creative place where we help artists realize their creative potential.
We use a lot of the same gear you'll find in the major studios and while we record digitally, everything we do captures the warmth and vibe of the performance. We accomplish this by starting with great sounds and using great mics, mic pres and high quality A/D conversion, and outboard analog gear.
Likeable Assistant Engineers (old console)
DW kit and great mics
For clearing your head
We have an assortment of mics such as Neumann U67, Neumann U87, Flea 47 (U47 Clone), AKG 414's, 451, D112, AEA R84 and N22, MikTek C 5's, Senheisser 421's, Shure SM7, SM57's, Beta 52, Audix, DW Moon Mic, Mojave MA-500, and more.
We have over 20 high end mic pres by API (3 channels), Neve 1073, Chandler TG-500, Universal Audio 6176, 4710 (4 channels), Rupert Neve Portico II, and AEA RPQ, Vintech 473 (4 channels), Warm audio 412 (4 channels), REDDI Tube DI, and more.
We have outboard gear by Universal Audio, Empirical Labs (3 Distressors), Avalon 747, Chandler (2 Lil Devils), Manley ELOP, Manley Vari-Mu And SSL Fusion on mix bus, Shadow Hills Mono Optograph, Inward Connections Brute, Kemper, and more.
Our A/D conversion is handled by 3, 16 channel Avid HD Analog I/O's. Monitoring controller is an Antelope Satori.
Control Room monitors are Focal Twin 6BE's with CMS Subwoofer, Yamah NS 10m's, and Avantone Mixcubes as well as a Bose Wave Radio for good measure.
For studio monitoring we use the Hear Techonologies Hear Back system with 6 individual monitoring mixers.
We use Pro Tools Ultimate HDX for recording and editing.
For plugins we use the latest from Universal Audio (Octo and Quad cards), Avid, Waves, SoundToys, McDSP, Plugin Alliance, Altiverb, SoftTube, Nomad Factory, XLN Addictive Keys, Slate, and more.
Avid S3 controller. We mix primarily in the box but utilize outboard gear for anlaog warmth and sound.